Tutorials

How to Use the Sound Optimizer Tool: A Simple Guide to Better-Sounding Audio

What our free Sound Optimizer can do for your podcasts, voice-overs and music, how to use it step by step, and which other free tools help you finish the job.

By Yunus S. Published Updated

To use the Sound Optimizer, open your audio file, remove rumble with Low Cut, quieten the pauses with the Noise Gate and shape the tone with Bass, Mid and Treble. Then even out the volume with the compressor and raise Volume / Gain until the loudness is close to -14 LUFS (about -16 LUFS for podcasts) with peaks at or below -1 dB, and download the result as a WAV file.

In Short

With the free Sound Optimizer you can:

  • Reduce rumble, and silence hum and hiss in the pauses of a recording.
  • Make a voice sound clearer, warmer and less harsh.
  • Make quiet recordings louder without clipping.
  • Add fades, change the speed or pitch, and create 8D audio.
  • Download a WAV file at the right loudness for Spotify, YouTube or your podcast.

No software and no account are needed, and your files never leave your device.

What Is the Sound Optimizer Tool?

If you have ever recorded a podcast, a voice-over for a video or your own song, you have probably noticed that the raw recording doesn’t sound as polished as professional audio. The voice may be boomy, there may be a hum in the background, some words may be much louder than others, or the whole recording may simply be too quiet.

The Sound Optimizer brings the usual fixes for these problems together on one page. You open your file, move a few sliders while listening to the result, and download the improved version. There is nothing to install, and you don’t need any audio engineering experience.

Home podcast studio setup with a condenser microphone, pop filter, studio headphones and a computer
A simple home setup is enough: record in a quiet room, then tidy up the sound in the Sound Optimizer.

What You Can Do with the Sound Optimizer

Here is what the tool does, in plain language. Use one feature or all of them, depending on what your recording needs.

Check Your Audio Instantly

As soon as you open a file, the tool shows three numbers: an estimate of the Tempo (BPM), the overall Loudness in LUFS, and the Peak, the loudest point in the file. While the audio plays, the Loudness and Peak meters switch to live values measured after your changes, so you can always see whether you are on target.

Remove Background Noise and Rumble

The Low Cut filter removes deep rumble from traffic or bumps on the desk, and the High Cut filter can soften hiss in phone or video-call recordings. The Noise Gate mutes the hum of a computer fan, an air conditioner or room noise in the pauses between your words.

Make Your Voice Clearer

With the Bass, Mid and Treble sliders you can make a voice warmer, fuller or brighter. Is the recording boomy? Turn the Bass down a little. Does it sound dull? Turn the Treble up a little. The De-Esser softens sharp S and SH sounds that can be unpleasant on headphones.

Make Quiet Audio Louder Without Distortion

Volume / Gain makes the recording louder. To keep it from clipping, the compressor first turns down the loudest moments, like a laugh or a raised voice, so the whole recording sounds more even. If the peaks would still go above 0 dB when you export, the tool lowers the overall level to -1 dB automatically.

Add Fades and Creative Effects

Add a smooth fade-in at the start and a fade-out at the end. For creative projects you can change the Speed or the Pitch; both work like a turntable, so tempo and pitch change together (faster and higher gives the sped-up “nightcore” sound). To change one without the other, use the Pitch & Speed Changer. 8D Audio moves the sound slowly from side to side when you listen on headphones.

Download a File Ready for Any Platform

When you are happy with the sound, choose Stereo or Mono and a Sample Rate: 44.1 kHz for music and podcasts, or 48 kHz for video. The result is downloaded as a 16-bit WAV file, and a line under the button shows the loudness and peak of the exported file.

Please use the tool with audio you own or have permission to use, such as your own recordings, podcasts, voice-overs and royalty-free music. Publishing edited versions of someone else’s songs usually requires permission from the rights holder.

How to Use the Sound Optimizer in 6 Easy Steps

Put on headphones so you can hear every change clearly, then follow these steps.

Step 1: Open Your Audio File

Open the Sound Optimizer and drag your file onto the file box, or click Choose File. MP3, WAV, FLAC and M4A work in all modern browsers; OGG depends on your browser. If you have the original WAV version of your recording, use that for the best quality.

Step 2: Read the Meters

The studio sits right below the file box. Once the file has loaded, you see its waveform, tempo, loudness and peak level. Note the loudness: it tells you how far you are from your target (see the table below).

Step 3: Clean Up the Background

Press Play. If you hear a low rumble, move the Low Cut slider slowly to the right until it disappears; for voices, 80 to 100 Hz works well. Next, play a part where nobody is speaking and raise the Noise Gate until the background goes quiet. If the ends of your words start to disappear, move it back a little. For more detail, read our guide to removing background noise.

Step 4: Make the Sound Clearer

Move the Bass, Mid and Treble sliders in small steps of 1 to 3 dB. Small changes sound natural; big ones rarely do. If S sounds are sharp, raise the De-Esser until they sound smooth. Our guide to bass, mid and treble shows what each slider changes.

Close-up of a hand adjusting equalizer knobs and faders on an audio mixing console
The Bass, Mid and Treble sliders work like the tone knobs on a mixer: small moves give the most natural sound.

Step 5: Set the Right Volume

First set the Compression Ratio to around 3:1 and move the Compressor Threshold to the left until the loudest moments are gently turned down. Then raise Volume / Gain while watching the meters. Stop when the Loudness meter is close to your target and Peak stays at or below -1 dB. If the peak goes too high, lower the threshold a little more before adding volume. Our Spotify mastering guide explains this in more detail.

Step 6: Add Fades and Download

If you like, add a short fade-in and fade-out. Then choose Stereo (music and video) or Mono (a single voice), pick 44.1 kHz for music and podcasts or 48 kHz for video, and click Download Audio (WAV). The file is saved to your device, and the line under the button tells you its final loudness and peak.

How Loud Should Your Audio Be?

Spotify, YouTube and most streaming apps even out the volume of what they play. If your audio is much louder than their target, it is turned down; if it is much quieter, it may sound weak next to other content. Aim for these values:

Where you will publish Loudness target True peak
Spotify and other music apps About -14 LUFS -1 dBTP or lower
YouTube and social media videos About -14 LUFS -1 dBTP or lower
Podcasts (Apple Podcasts and others) About -16 LUFS -1 dBTP or lower

The Spotify and podcast targets come from the platforms themselves: see Spotify’s loudness guidelines and Apple Podcasts audio requirements . YouTube doesn’t publish an official figure, but it is widely reported to play videos back at about -14 LUFS. The numbers are negative, so -14 is louder than -16. The Peak meter in the Sound Optimizer shows sample peaks; to check the true peak (dBTP) of your finished file, open it in the LUFS & Peak Analyzer.

Quick Settings to Get You Started

Not sure where to begin? Try these settings, then adjust by ear. Every voice and room is a little different.

Setting Podcast or voice-over Music or beat
Low Cut 80 to 100 Hz Off
Noise Gate Around -55 dB Off
De-Esser 20 to 35% 0%
Bass / Mid / Treble -1 / 0 / +2 dB Small changes only if needed
Compressor Threshold -20 dB, ratio 3:1 Threshold -14 dB, ratio 2:1
Loudness target -16 LUFS for a podcast, -14 LUFS for video (a mono file reads about 3 LU lower, so aim for about -19 LUFS in mono) -14 LUFS
Download Mono, 44.1 kHz (or Stereo, 48 kHz for video) Stereo, 44.1 kHz

For more tips, read How to Make Your Voice Sound Professional.

Quick Fixes for Common Problems

  • My audio distorts when I turn it up. Turn Volume / Gain down a little, move the Compressor Threshold further left or raise the ratio, then try again while watching the Peak meter.
  • The ends of my words are cut off. The Noise Gate is set too high. Move it back a few steps until your words sound complete.
  • My voice sounds thin or tinny. Lower the Low Cut frequency and reduce the Treble, then raise the Bass by 1 dB.
  • The sound feels flat and lifeless. The compressor is working too hard. Lower the ratio and accept a slightly lower loudness.
  • The 8D effect disappeared after download. 8D only works in stereo. Choose Stereo before downloading and listen on headphones.
Podcast microphone on a desk next to studio headphones and a small mixing desk
Combine the Sound Optimizer with our other free tools to take a recording from raw file to finished episode.

Do Even More with Our Other Free Tools

The Sound Optimizer covers the most common improvements in one place. For everything else, Free Audio Lab has a separate free tool.

Before You Optimize

After You Optimize

When You Only Need One Thing

I just want to... Use this free tool
Adjust bass, mid and treble 3-Band EQ
Silence background noise and soften harsh S sounds Noise Gate & De-Esser
Change the speed or key of a song Pitch & Speed Changer
Create 8D audio 8D Audio Maker
Add a fade-in or fade-out Audio Fade Tool
Turn a stereo file into mono Stereo to Mono Converter
Find the tempo and key of a track BPM & Key Analyzer

You can see every tool on the tools page.

Helpful Guides

Ready to Improve Your Audio?

Now you know what the Sound Optimizer can do and how to use it. Try it on one of your own recordings and compare the result with the original.

Open the free Sound Optimizer

Free, no sign-up, and your files never leave your device.

Frequently Asked Questions

What is the Sound Optimizer Tool?

The Sound Optimizer is a free online tool for making recordings sound cleaner, clearer and more even. You can reduce background noise, adjust the tone of a voice, even out the volume, add fades and effects, and download the result as a WAV file.

Is the Sound Optimizer free, and do I need an account?

Yes, it is free. There is no sign-up, no watermark and no daily limit, so you can process as many of your own recordings as you like.

Are my audio files uploaded anywhere?

No. Your file is processed in your web browser on your own device and is never sent to our servers, so your recordings stay private.

Which file formats can I use?

You can open MP3, WAV, FLAC and M4A files in all modern browsers; OGG depends on your browser. The finished audio is downloaded as a WAV file. If you need an MP3, convert it afterwards with the WAV to MP3 Converter.

How loud should my audio be for Spotify, YouTube and podcasts?

For Spotify and YouTube, aim for about -14 LUFS on the Loudness meter. For podcasts, aim for about -16 LUFS, which is what Apple Podcasts recommends. In every case, keep peaks at or below -1 dB.

Why does my audio distort when I turn up the volume?

The loudest moments are going above 0 dB. Lower the Compressor Threshold and raise the Compression Ratio a little so those moments are turned down, then raise the volume again while watching the Peak meter.

Can it remove all background noise?

It removes rumble and silences steady hum or hiss in the pauses between words. Noise that happens while you are speaking can’t be removed, so recording in a quiet room always gives the best result.

Does the Sound Optimizer work on phones and tablets?

Yes. It runs in mobile browsers on phones and tablets. Very long files process faster on a computer, and headphones help you hear small changes.

Can I use the Sound Optimizer on copyrighted music?

Please use the tool with audio you own or have permission to use, such as your own recordings, podcasts, voice-overs and royalty-free music. Publishing edited versions of someone else’s songs usually requires permission from the rights holder.